The Passion of our Lord Jesus Christ, commissioned by Merton College, Oxford for their 750th Anniversary in 2014 will receive its West Coast premiere on 21 February, given by the Tudor Choir & Players under Doug Fullington. On Palm Sunday, 29 March, Yale Camerata will present the work in New Haven; also in March, the London premiere will be given by the Royal College of Music Junior Department Chamber Choir & Orchestra under Joy Hill on the 21st, followed five days later by a EBU broadcast performance by David Hill with the BBC Singers and Endymion.
Available now from Oxford University Press are five recent scores: La musique, commissioned by Dame Felicity Lott and the Choir of Royal Holloway (also just out on CD from Hyperion Records); I say that we are wound with mercy, a Gerald Manley Hopkins setting also just released on CD by the Choir of Merton College, Oxford; a Tennyson setting, In memoriam, commissioned by Coro and the York Chapter House Choir in memory of Clare Latham; Our flags are wafting in hope and grief, a piece about the Singing Revolution in the Baltic States with words by the great Estonian poet Doris Kareva; and Ave Dei patris filia, written last year for the 40th anniversary of The Tallis Scholars
Already available is Nowell sing we, the title track of Worcester College Choir, Oxford’s second volume of contemporary Christmas pieces. The Choir of Royal Holloway’s November release Hymns to St Cecilia contains the premiere recording of La musique in which the choir is joined by Holloway alumna Dame Felicity Lott. Also due in November is the Gerard Manley Hopkins setting I say that we are wound with mercy, part of Merton College, Oxford’s Marian Collection.
I have been commissioned to write a half-hour piece for choir and orchestra to celebrate the 25th anniversary of the Latvian Youth Choir Kamēr… The first performance will be on 25 May 2015 at a special birthday concert at the Latvian National Opera in Riga. The texts will range from the 17th to the 20th centuries, and will also include a specially-written 21st century poem by Kārlis Verdiņš